By Stephen Longstaffe
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Extra info for 1 Henry IV: A critical guide
Eds, William Shakespeare: The Complete Works (Oxford: Clarendon 1986), p. 509. See also Taylor, ‘The Fortunes of Oldcastle’ for justification of this decision. Critics who outline their position against this decision include: Jonathan Goldberg, ‘The Commodity of Names: “Falstaff ” and “Oldcastle” ’ in 1 Henry IV’, in Reconfiguring the Renaissance: Essays in Cultural Materialism, ed. Jonathan Crewe (London: Associated University Presses, 1992), pp. 76–88; Kristen Poole, ‘Saints Alive! 1 (1995), 47–75.
25. Elizabeth Griffith, The Morality of Shakespeare’s Drama Illustrated (1775) (London: Frank Cass & Co. , 1971), pp. 227, 228. 26. Cumberland, ‘Remarks’, p. 50. 27. Corbyn Morris, ‘An Essay Towards Fixing the True Standards of Wit, Humour, Raillery, Satire and Ridicule’ (1744), in Henry the Fourth Parts I and II: Critical Essays, ed. , 1986), pp. 1–5 (p. 3). 28. Richard Stack, ‘An Examination of an Essay on the Dramatick Character of Sir John Falstaff ’ (1788), in William Shakespeare: The Critical Heritage, 1693–1733, (Volume 2), ed.
1986), pp. 7–8 (p. 7). 3. For example, Mark Van Doren, ‘Shakespeare’ (1939), in Henry the Fourth Parts I and II: Critical Essays, ed. , 1986), pp. 99–116 (p. 99). 4. For an excellent analysis of early responses to the play see Charles Whitney, Early Responses to Renaissance Drama (Cambridge: Cambridge University Press, 2006), pp. 70–112. 5. Meres, Palladis Tamia, p. 282. 6. Cited in Whitney, Early Responses, pp. 94–101. 7. See George Thorn-Drury, Some Seventeenth-Century Allusions to Shakespeare and his Works (London: P.
1 Henry IV: A critical guide by Stephen Longstaffe