Download e-book for iPad: A Companion to Twentieth-Century United States Fiction by David Seed (ed.)

By David Seed (ed.)

ISBN-10: 1405146915

ISBN-13: 9781405146913

ISBN-10: 1444310100

ISBN-13: 9781444310108

Via a wide-ranging sequence of essays and appropriate readings, A significant other to Twentieth-Century usa Fiction provides an summary of yankee fiction released because the end of the 1st global War. 

  • Features a wide-ranging sequence of essays through American, British, and eu experts in numerous literary fields
  • Written in an approachable and available sort
  • Covers either vintage literary figures and modern novelists
  • Provides broad feedback for additional examining on the finish of every essay

Content:
Chapter 1 U.S. Modernism (pages 9–23): Susan Hegeman
Chapter 2 the town Novel (pages 24–35): James R. Giles
Chapter three The Western (pages 36–47): Neil Campbell
Chapter four Postmodern U.S. Fiction (pages 48–59): Hans Bertens
Chapter five sleek Gothic (pages 60–71): Marilyn Michaud
Chapter 6 the fast tale (pages 72–83): Mark Whalan
Chapter 7 Southern Fiction (pages 84–95): Sharon Monteith
Chapter eight Jewish American Fiction (pages 96–108): David Brauner
Chapter nine “Do not anything until You pay attention from Me”: glossy African American Fiction (pages 109–121): A. Robert Lee
Chapter 10 U.S. Detective Fiction (pages 122–134): Cynthia S. Hamilton
Chapter eleven Hard?Boiled/Noir Fiction (pages 135–146): Lee Horsley
Chapter 12 Chicano Fiction (pages 147–158): Helen Oakley
Chapter thirteen Black Humor Fiction (pages 159–170): David Seed
Chapter 14 Fiction at the Vietnam battle (pages 171–182): Philip Melling and Subarno Chattarji
Chapter 15 The Rediscovery of the local American (pages 183–194): pleasure Porter
Chapter sixteen Trash Fiction (pages 195–206): Stacey Olster
Chapter 17 Edith Wharton (pages 207–218): Pamela Knights
Chapter 18 Willa Cather's Entropology: Permanence and Transmission (pages 219–228): man J. Reynolds
Chapter 19 Gertrude Stein and Seriality (pages 229–239): Ulla Haselstein
Chapter 20 Ernest Hemingway (pages 240–250): Peter Messent
Chapter 21 John Dos Passos (pages 251–260): Andrew Hook and David Seed
Chapter 22 Thomas Wolfe (pages 261–270): Anne Ricketson Zahlan
Chapter 23 F. Scott Fitzgerald (pages 271–281): William Blazek
Chapter 24 Zora Neale Hurston (pages 282–291): Lovalerie King
Chapter 25 Theodore Dreiser (pages 292–301): Clare Virginia Eby
Chapter 26 William Faulkner's Yoknapatawpha (pages 302–312): Charles A. Peek
Chapter 27 H.D.'s Visionary Prose (pages 313–321): Rachel Connor
Chapter 28 John Steinbeck (pages 322–331): Brian Railsback
Chapter 29 Raymond Chandler (pages 332–341): Sean McCann
Chapter 30 Richard Wright (pages 342–351): Tara T. Green
Chapter 31 Ralph Ellison (pages 352–360): Rachel Farebrother
Chapter 32 James Baldwin (pages 361–368): D. Quentin Miller
Chapter 33 Vladimir Nabokov (pages 369–376): Barbara Wyllie
Chapter 34 Norman Mailer (pages 377–385): Michael ok. Glenday
Chapter 35 William S. Burroughs (pages 386–394): Davis Schneiderman
Chapter 36 Saul Bellow (pages 395–402): Michael Austin
Chapter 37 Gore Vidal (pages 403–410): Heather Neilson
Chapter 38 Joseph Heller (pages 411–419): David M. Craig
Chapter 39 Kurt Vonnegut (pages 420–427): Jerome Klinkowitz
Chapter forty Thomas Pynchon (pages 428–435): Ian Copestake
Chapter forty-one Ishmael Reed: American Iconoclast (pages 436–444): Darryl Dickson?Carr
Chapter forty two Joyce Carol Oates (pages 445–453): Gavin Cologne?Brookes
Chapter forty three Philip Roth (pages 454–461): Timothy Parrish
Chapter forty four The Fiction of John Updike: well timed and undying (pages 462–470): Brian Keener
Chapter forty five Maxine Hong Kingston (pages 471–479): Helena Grice
Chapter forty six Toni Morrison (pages 480–488): Jennifer Terry
Chapter forty seven Alice Walker (pages 489–496): Maria Lauret
Chapter forty eight Don DeLillo (pages 497–504): Mark Osteen
Chapter forty nine Gerald Vizenor: Postindian Gamester (pages 505–513): A. Robert Lee
Chapter 50 Bret Easton Ellis (pages 514–521): James Annesley
Chapter fifty one Amy Tan: “American situations and chinese language personality” (pages 522–529): Heidi Slettedahl Macpherson
Chapter fifty two Paul Auster: Poet of Solitude (pages 530–538): Mark Brown
Chapter fifty three Bharati Mukherjee (pages 539–546): Judie Newman

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Earlier, DeLillo had envisioned New York City in a comparable manner in Great Jones Street (1973). In a surrealist way, Great Jones Street describes the failed attempt of a rock star named Bucky Wonderlick to disappear into a run-down area of the city. Bucky is sickened by the filth and despair surrounding him: “pigeons and meningitis. Chocolate and mouse droppings. Licorice and roach hair. Vermin on the bus we took uptown … Transient population of thunderers and hags” (DeLillo: 263). In a novel that depicts brutally naturalistic events through a detached satiric perspective, Bret Easton Ellis in American Psycho (1991) creates his own unique brand of urban modernism.

Kenner, Hugh (1975). A Homemade World: The American Modernist Writers. : The Johns Hopkins University Press. Kern, Stephen (1983). The Culture of Time and Space 1880–1918. : Harvard University Press. Leick, Karen (2008). “Popular Modernism: Little Magazines and the American Daily Press,” Proceedings of the Modern Languages Association, 123 (1): 125–39. McLuhan, Marshall (2005). Understanding Media [1964]. New York: Routledge. North, Michael (1994). The Dialect of Modernism: Race, Language and Twentieth-Century Literature.

We see the beginnings of this transition in the later work of Gustave Flaubert and Henry James, two of the most important practitioners of literary realism. For James, signs of this transition – for example, in The Golden Bowl (1904) – include an increasingly subtle and complex emphasis on the interior thoughts and feelings of his characters. At the same time, his already complex prose becomes increasingly laden with deliberate ambiguities and nuance, resulting in what has come to be seen as the signature James style.

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